August 4, 2011

This ambigramatically pre-occupied girl is so nervous for the upcoming College Admission Test in UP Diliman. She’s feeling that way for the reason that she haven’t reviewed for this past few weeks but then she’s able to attend the summer review in Newton Study Center. This girl had been so busy this month because she had been practicing a routine for a contest in which she really didn’t want to join. Maybe she’s just pressured by the commitment that she had made to her “coach”(choreographer will do). Anyway she’s now studying how to weigh her priorities the right way without being misunderstood by anyone.

 

Great thanks to her friends for cheering her up. I’m sure she’s so happy that she knew you all.

SHE WAS NOT BEAUTIFUL

She was not beautiful. Nothing about her was extraordinary. Nothing about her made her stand out in a crowd. She grew up in a family of six and being the eldest, she learned to be responsible at an early age.

As she grew stronger and brighter, she helped to cheer the people around her. She was not beautiful, but she made others feel better themselves. She met a boy rebel who thinks he is a man. She befriends him and teaches him to read. They became good friends and she fell in love with his rugged and handsome student.

However, the ‘man’ finds himself in love with another girl. She was beautiful and had deep blue eyes and fine silky hair. He tells his tutor that it seemed as if she had a halo around her head like a beautiful ‘angel.’ Upon hearing this, the tutor swallows a lump in her throat. She was not beautiful, she would not be able to compete with the ‘angel’ he loved, but she did not care. As long as he is happy, she will be happy. She helped him write the most beautiful letters to his ‘angel’. As she was writing the letters, she imagined herself receiving those very letters. She also helped him to choose the right clothes, say the right words and buy the right gifts for his ‘angel’.

His ‘angel’ brought him much joy but much pain for the tutor who cries behind her smiles. But that never stopped her from giving more than she will ever receive. Then one day, the ‘angel’ left him for another richer and more successful man. The boy was stunned. He was so hurt that he did not speak for days. The tutor went to him and he cried on her shoulders and she cried with him.

He was hurt and she was too. Time went by and the wounds healed. By now, the boy realizes something about his friend/tutor. Something he never realized before. He realizes how heavenly her laughter sounded and how her smiles brightened up the darkest days. He also realizes how beautiful she simply looked to him!

She was not beautiful. However, she was beautiful to him. He began to fall in love with this beautiful girl he had seen through new eyes. One day, he picked up all his courage to see her. He walked to her house feeling nervous, and fidgeting all the way. He ran his thoughts over and over his head.

He was going to tell her how beautiful she was to him. He was going to tell her how wonderfully in love he was with her. He knocked. No one was home.

The next day, he found out that the beautiful girl he just fell in love with had a brain tumour that put her into a coma. The doctors were grim and the family decided to let her go.
She was the most beautiful girl in the world.He got to see her one final time. He held her hand and stroked her hair as he cried for this beautiful girl. He cried but it was too late. The beautiful girl was buried and the high heavens above broke down and cried for their loss too. There was a beautiful Spring shower on her burial day. She was the most beautiful girl in the world and she had taught the boy rebel/man to love and what it is to be loved.

Look around. Aren’t there a lot of plain faces around us? Take a real good look or you might just miss out on that beautiful person.

A little girl and her father were crossing a bridge.

The father was kind of scared so he asked his little daughter, “Sweetheart, please hold my hand so that you don’t fall into the river.”
The little girl said, “No, Dad. You hold my hand.”
“What’s the difference?” Asked the puzzled father.
“There’s a big difference.” Replied the little girl.
“If I hold your hand and something happens to me, chances are that I may let your hand go. But if you hold my hand, I know for sure that no matter what happens, you will never let my hand go.”

In any relationship, the essence of trust is not in its bind, but in its bond. So hold the hand of the person whom you love rather than expect them to hold yours…

HOLD MY HAND

Song: Breakeven
Artist: The Script
Album: The Script (2008)

CAPO 3rd FRET

C G D Em (x4)

Em D G Am7

Em D G Am7
I’m still alive but I’m barely breathing
Em D G Am7
Just prayed to a god that I don’t believe in
Em D G Am7
Cos I got time while she got freedom
Em D G Am7
Cos when a heart breaks no it don’t break even

Em D G Am7
Her best days will be some of my worst
Em D G Am7
She finally met a man that’s gonna put her 1st
Em D G Am7
While I’m wide awake she’s no trouble sleeping
Em D G Am7
Cos when a heart breaks no it don’t break even, even, no

C G D Em
What am I supposed to do when the best part of me was always you, and
C G D Em
What am I supposed to say when I’m all choked up that you’re OK, yeah
C G D Em
I’m falling to pieces, yeah
C G D Em
I’m falling to pieces

Em D G Am7

Em D G Am7
They say bad things happen for a reason
Em D G Am7
But no wise words gonna stop the bleeding
Em D G Am7
Cos she’s moved on while I’m still grieving
Em D G Am7
And when a heart breaks no it don’t break even (even, no)

C G D Em
What am I supposed to do when the best part of me was always you, and
C G D Em
What am I supposed to say when I’m all choked up that you’re OK
C G D Em C
I’m falling to pieces yeah
G D Em
I’m falling to pieces yeah
C G D Em
I’m falling to pieces

(One still in love while the other one’s leaving)
C G D Em
I’m falling to pieces

(Cos when a heart breaks no it don’t breakeven)

Em D G Am7 (x2)

Em D
You got his heart and my heart and none of the pain
G Am7
You took your suitcase, I took the blame.
Em D G
Now I’m tryna make sense of what little remains, oh
Am7
Cos you left me with no love, no love to my name.

Em D G Am7
I’m still alive but I’m barely breathing
Em D G Am7
Just prayed to a god that I don’t believe in
Em D G Am7
Cos I got time while she got freedom
Em D
Cos when a heart breaks no it don’t…
G
No, it don’t break
Am7 C
No, it don’t break even, no!

C G D Em
What am I supposed to do when the best part of me was always you, and
C G D Em
What am I supposed to say when I’m all choked up that you’re OK
C G D Em C
I’m falling to pieces yeah

(Oh, I’m falling, I’m falling… yeah)
G D Em
I’m falling to pieces yeah
C G D Em
I’m falling to pieces

(One still in love while the other one’s leaving)
C G D Em
I’m falling to pieces

(Cos when a heart breaks no it don’t breakeven)

C G D Em (x2)

C G D Em
Oh, it don’t break even, no, oh
C G D Em
Oh, it don’t break even, no, oh
C G D Em
Oh, it don’t break even, no, oh

C G D Em (till fade).

Capo 3

——————————————————

The second chord in the intro is, I believe an F#/D chord. Which should look like this:

E|-3-|
B|-3-|
G|-2-|
D|-0-|
A|-0-|
E|-2-|

Intro – G–F#/D–C–

G F#/D
Going back to the corner where I first saw you,
Am C
Gonna camp in my sleeping bag not I’m not gonna move,
G F#/D
Got some words on cardboard got your picture in my hand,
Am C
Saying if you see this girl can you tell her where I am,
G F#/D
Some try to hand me money they don’t understand,
Am C
I’m not… broke I’m just a broken hearted man,
G F#/D
I know it makes no sense, but what else can I do,
Am C
How can I move on when I’ve been in love with you…

G D
Cos if one day you wake up and find that your missing me,
Am C
And your heart starts to wonder where on this earth I can be,
G D
Thinking maybe you’d come back here to the place that we’d meet,
Am C D
And you’d see me waiting for you on the corner of the street.

G D
So I’m not moving…
Am C
I’m not moving.

G F#/D
Policeman says son you can’t stay her,
Am C
I said there’s someone I’m waiting for if it’s a day, a month, a year,
G F#/D
Gotta stand my ground even if it rains or snows,
Am C
If she changes her mind this is the first place she will go.

G D
Cos if one day you wake up and find that your missing me,
Am C
And your heart starts to wonder where on this earth I can be,
G D
Thinking maybe you’d come back here to the place that we’d meet,
Am C D
And you’d see me waiting for you on the corner of the street.

G D
So I’m not moving…
Am C
I’m not moving.

G D
So I’m not moving…
Am C
I’m not moving.

G D
So I’m not moving…
Am C
I’m not moving.

Em Am
People talk about the guy
C
Whos waiting on a girl…

Oohoohwoo

Em Am
There no hole in his shoes
C
But a big hole in his world…

Hmmmm

Em D
Maybe I’ll get famous as man who can’t be moved,
Am C D
And maybe you won’t mean to but you’ll see me on the news,
Em D
And you’ll come running to the corner…
Am
Cos you’ll know it’s just for you

I’m the man who can’t be moved
C
I’m the man who can’t be moved…

G D
Cos if one day you wake up and find that your missing me,
Am C
And your heart starts to wonder where on this earth I can be,
G D
Thinking maybe you’d come back here to the place that we’d meet,
Am C D
And you’d see me waiting for you on the corner of the street.

G D
So I’m not moving…
Am C
I’m not moving.

G D
So I’m not moving…
Am C
I’m not moving.

G D
So I’m not moving…
Am C
I’m not moving.

G F#/D
Going back to the corner where I first saw you,
Am C D
Gonna camp in my sleeping bag not I’m not gonna move.

ALL OVER THE WORLD by Vicente Rivera, Jr.

ONE evening in August 1941, I came out of a late movie to a silent, cold night. I shivered a little as I stood for a moment in the narrow street, looking up at the distant sky, alive with stars. I stood there, letting the night wind seep through me, and listening. The street was empty, the houses on the street dim—with the kind of ghostly dimness that seems to embrace sleeping houses. I had always liked empty streets in the night; I had always stopped for a while in these streets listening for something I did not quite know what. Perhaps for low, soft cries that empty streets and sleeping houses seem to share in the night.

I lived in an old, nearly crumbling apartment house just across the street from the moviehouse. From the street, I could see into the open courtyard, around which rooms for the tenants, mostly a whole family to a single room, were ranged. My room, like all the other rooms on the groundfloor, opened on this court. Three other boys, my cousins, shared the room with me. As I turned into the courtyard from the street, I noticed that the light over our study-table, which stood on the corridor outside our room, was still burning. Earlier in the evening after supper, I had taken out my books to study, but I went to a movie instead. I must have forgotten to turn off the light; apparently, the boys had forgotten, too.

I went around the low screen that partitioned off our “study” and there was a girl reading at the table. We looked at each other, startled. I had never seen her before. She was about eleven years old, and she wore a faded blue dress. She had long, straight hair falling to her shoulders. She was reading my copy of Greek Myths.

The eyes she had turned to me were wide, darkened a little by apprehension. For a long time neither of us said anything. She was a delicately pretty girl with a fine, smooth. pale olive skin that shone richly in the yellow light. Her nose was straight, small and finely molded. Her lips, full and red, were fixed and tense. And there was something else about her. Something lonely? something lost?

“I know,” I said, “I like stories, too. I read anything good I find lying around. Have you been reading long?”

“Yes,” she said. not looking at me now. She got up slowly, closing the book. “I’m sorry.”

“Don’t you want to read anymore? I asked her, trying to smile, trying to make her feel that everything was all right.

“No.” she said, “thank you.”

“Oh, yes,” I said, picking up the book. “It’s late. You ought to be in bed. But, you can take this along.”

She hesitated, hanging back, then shyly she took the book, brought it to her side. She looked down at her feet uncertain as to where to turn.

“You live here?” I asked her.

“Yes.”

“What room?”

She turned her face and nodded towards the far corner, across the courtyard, to a little room near the communal kitchen. It was the room occupied by the janitor: a small square room with no windows except for a transom above the door.

“You live with Mang Lucio?”

“He’s my uncle.”

“How long have you been here? I haven’t seen you before, have I?”

“I’ve always been here. I’ve seen you.”

“Oh. Well, good night—your name?”

“Maria.”

“Good night, Maria.”

She turned quickly, ran across the courtyard, straight to her room, and closed the door without looking back.

I undressed, turned off the light and lay in bed dreaming of far-away things. I was twenty-one and had a job for the first time. The salary was not much and I lived in a house that was slowly coming apart, but life seemed good. And in the evening when the noise of living had died down and you lay safe in bed, you could dream of better times, look back and ahead, and find that life could be gentle—even with the hardness. And afterwards, when the night had grown colder, and suddenly you felt alone in the world, adrift, caught in a current of mystery that came in the hour between sleep and waking, the vaguely frightening loneliness only brought you closer to everything, to the walls and the shadows on the walls, to the other sleeping people in the room, to everything within and beyond this house, this street, this city, everywhere.

I met Maria again one early evening, a week later, as I was coming home from the office. I saw her walking ahead of me, slowly, as if she could not be too careful, and with a kind of grownup poise that was somehow touching. But I did not know it was Maria until she stopped and I overtook her.

She was wearing a white dress that had been old many months ago. She wore a pair of brown sneakers that had been white once. She had stopped to look at the posters of pictures advertised as “Coming” to our neighborhood theater.

“Hello,” I said, trying to sound casual.

She smiled at me and looked away quickly. She did not say anything nor did she step away. I felt her shyness, but there was no self-consciousness, none of the tenseness and restraint of the night we first met. I stood beside her, looked at the pictures tacked to a tilted board, and tried whistling a tune.

She turned to go, hesitated, and looked at me full in the eyes. There was again that wide-eyed—and sad? —stare. I smiled, feeling a remote desire to comfort her, as if it would do any good, as if it was comfort she needed.

“I’ll return your book now,” she said.

“You’ve finished it?”

“Yes.”

We walked down the shadowed street. Magallanes Street in Intramuros, like all the other streets there, was not wide enough, hemmed in by old, mostly unpainted houses, clumsy and unlovely, even in the darkening light of the fading day.

We went into the apartment house and I followed her across the court. I stood outside the door which she closed carefully after her. She came out almost immediately and put in my hands the book of Greek myths. She did not look at me as she stood straight and remote.

“My name is Felix,” I said.

She smiled suddenly. It was a little smile, almost an unfinished smile. But, somehow, it felt special, something given from way deep inside in sincere friendship.

I walked away whistling. At the door of my room, I stopped and looked back. Maria was not in sight. Her door was firmly closed.

August, 1941, was a warm month. The hangover of summer still permeated the air, specially in Intramuros. But, like some of the days of late summer, there were afternoons when the weather was soft and clear, the sky a watery green, with a shell-like quality to it that almost made you see through and beyond, so that, watching it made you lightheaded.

I walked out of the office one day into just such an afternoon. The day had been full of grinding work—like all the other days past. I was tired. I walked slowly, towards the far side of the old city, where traffic was not heavy. On the street there were old trees, as old as the walls that enclosed the city. Half-way towards school, I changed my mind and headed for the gate that led out to Bonifacio Drive. I needed stiffer winds, wider skies. I needed all of the afternoon to myself.

Maria was sitting on the first bench, as you went up the sloping drive that curved away from the western gate. She saw me before I saw her. When I looked her way, she was already smiling that half-smile of hers, which even so told you all the truth she knew, without your asking.

“Hello,” I said. “It’s a small world.”

“What?”

“I said it’s nice running into you. Do you always come here?”

“As often as I can. I go to many places.”

“Doesn’t your uncle disapprove?”

“No. He’s never around. Besides, he doesn’t mind anything.”

“Where do you go?”

“Oh, up on the walls. In the gardens up there, near Victoria gate. D’you know?”

“I think so. What do you do up there?”

“Sit down and—”

“And what?”

“Nothing. Just sit down.”

She fell silent. Something seemed to come between us. She was suddenly far-away. It was like the first night again. I decided to change the subject.

“Look,” I said, carefully, “where are your folks?”

“You mean, my mother and father?”

“Yes. And your brothers and sisters, if any.”

“My mother and father are dead. My elder sister is married. She’s in the province. There isn’t anybody else.”

“Did you grow up with your uncle?”

“I think so.”

We were silent again. Maria had answered my questions without embarrassment. almost without emotion, in a cool light voice that had no tone.

“Are you in school, Maria?”

“Yes.”

“What grade?”

“Six.”

“How d’you like it?”

“Oh, I like it.”

“I know you like reading.”

She had no comment. The afternoon had waned. The breeze from the sea had died down. The last lingering warmth of the sun was now edged with cold. The trees and buildings in the distance seemed to flounder in a red-gold mist. It was a time of day that never failed to carry an enchantment for me. Maria and I sat still together, caught in some spell that made the silence between us right, that made our being together on a bench in the boulevard, man and girl, stranger and stranger, a thing not to be wondered at, as natural and inevitable as the lengthening shadows before the setting sun.

Other days came, and soon it was the season of the rain. The city grew dim and gray at the first onslaught of the monsoon. There were no more walks in the sun. I caught a cold.

Maria and I had become friends now, though we saw each other infrequently. I became engrossed in my studies. You could not do anything else in a city caught in the rains. September came and went.

In November, the sun broke through the now ever present clouds, and for three or four days we had bright clear weather. Then, my mind once again began flitting from my desk, to the walls outside the office, to the gardens on the walls and the benches under the trees in the boulevards. Once, while working on a particularly bad copy on the news desk, my mind scattered, the way it sometimes does and, coming together again, went back to that first meeting with Maria. And the remembrance came clear, coming into sharper focus—the electric light, the shadows around us, the stillness. And Maria, with her wide-eyed stare, the lost look in her eyes…

 

IN December, I had a little fever. On sick leave, I went home to the province. I stayed three days. I felt restless, as if I had strayed and lost contact with myself. I suppose you got that way from being sick,

A pouring rain followed our train all the way back to Manila. Outside my window, the landscape was a series of dissolved hills and fields. What is it in the click of the wheels of a train that makes you feel gray inside? What is it in being sick, in lying abed that makes you feel you are awake in a dream, and that you are just an occurrence in the crying grief of streets and houses and people?

In December, we had our first air-raid practice.

I came home one night through darkened streets, peopled by shadows. There was a ragged look to everything, as if no one and nothing cared any more for appearances.

I reached my room just as the siren shrilled. I undressed and got into my old clothes. It was dark, darker than the moment after moon-set. I went out on the corridor and sat in a chair. All around me were movements and voices. anonymous and hushed, even when they laughed.

I sat still, afraid and cold.

“Is that you. Felix?”

“Yes. Maria.”

She was standing beside my chair, close to the wall. Her voice was small and disembodied in the darkness. A chill went through me, She said nothing more for a long time.

“I don’t like the darkness,” she said.

“Oh, come now. When you sleep, you turn the lights off, don’t you?”

“It’s not like this darkness,” she said, softly. “It’s all over the world.”

We did not speak again until the lights went on. Then she was gone.

The war happened not long after.

At first, everything was unreal. It was like living on a motion picture screen, with yourself as actor and audience. But the sounds of bombs exploding were real enough, thudding dully against the unready ear.

In Intramuros, the people left their homes the first night of the war. Many of them slept in the niches of the old walls the first time they heard the sirens scream in earnest. That evening, I returned home to find the apartment house empty. The janitor was there. My cousin who worked in the army was there. But the rest of the tenants were gone.

I asked Mang Lucio, “Maria?”

“She’s gone with your aunt to the walls.” he told me. “They will sleep there tonight.”

My cousin told me that in the morning we would transfer to Singalong. There was a house available. The only reason he was staying, he said, was because they were unable to move our things. Tomorrow that would be taken care of immediately.

“And you, Mang Lucio?”

“I don’t know where I could go.”

We ate canned pork and beans and bread. We slept on the floor, with the lights swathed in black cloth. The house creaked in the night and sent off hollow echoes. We slept uneasily.

I woke up early. It was disquieting to wake up to stillness in that house which rang with children’s voices and laughter the whole day everyday. In the kitchen, there were sounds and smells of cooking.

“Hello,” I said.

It was Maria, frying rice. She turned from the stove and looked at me for a long time. Then, without a word, she turned back to her cooking.

“Are you and your uncle going away?” I asked.

“I don’t know.”

“Did he not tell you?”

“No.”

“We’re moving to Singalong.”

“Yes, I know.”

“Well, anyway, I’ll come back tonight. Maybe this afternoon. We’ll not have to say goodbye till then.”

She did not say anything. I finished washing and went back to my room. I dressed and went out.

At noon, I went to Singalong to eat. All our things were there already, and the folks were busy putting the house in order. As soon as I finished lunch, I went back to the office. There were few vehicles about. Air-raid alerts were frequent. The brightness of the day seemed glaring. The faces of people were all pale and drawn.

In the evening, I went back down the familiar street. I was stopped many times by air-raid volunteers. The house was dark. I walked back to the street. I stood for a long time before the house. Something did not want me to go away just yet. A light burst in my face. It was a volunteer.

“Do you live here?”

“I used to. Up to yesterday. I’m looking for the janitor.”

“Why, did you leave something behind?”

“Yes, I did. But I think I’ve lost it now.”

“Well, you better get along, son. This place, the whole area. has been ordered evacuated. Nobody lives here anymore.”

“Yes, I know,” I said. “Nobody.” Ω

This is yet another great story from an early writer that deserves to be read again.

A CRICKET BOY

A long time ago, cricket fighting caught on in the imperial court, with the emperor leading the fad. A local magistrate in Huayin, who wanted to win the favor of the monarch, tried in every way to get him the best fighting crickets. He had a strategy for doing so: He man aged to get a cricket that was very good at fighting. He then made his subordinates go to the heads of each village and force them to send in a constant supply of fighting crickets. He would send to the imperial court the crickets that could beat the one he was keeping.

Theoretically, everything should have worked smoothly. However, as the magistrate was extremely zealous to please the emperor, he meted out harsh punishment on any village heads who failed to accomplish their tasks. The village heads in turn shifted the burden to the poor villagers, who had to search for the crickets. If they failed to catch them, they had to pur chase them from someone else, or they had to pay a levy in cash.

The small insects suddenly be came a rare commodity. Speculators hoarded good crickets, buying them at a bargain and selling them for an exorbitant price. Many village heads worked hand in hand with the speculators to make profits. In so doing, they bankrupted many a family.

Cheng Ming was one such villager. The head of his village delegated part of his duties to him because he found Cheng Ming easy to push around. Cheng Ming did not want to bully his fellow villagers as the village head did him, so he of ten had to pay cash out of his own pocket when he failed to collect any competent crickets. Soon the little properties he had were draining away, and he went into a severe depression. One day, he said to his wife that he wanted to die.

“Death is easy, but what will our son do without you?” asked his wife, glancing at their only son, sleeping on the kang. “Why can’t we look for the crickets ourselves instead buying them? Perhaps we’ll strike some good luck.”

Cheng Ming gave up the idea of suicide and went to search for crickets. Armed with a tiny basket of copper wires for catching crickets and a number of small bamboo tubes for holding them, he went about the tedious task. Each day he got up at dawn and did not return until late in the evening. He searched beneath brick debris, dike crevices, and in the weeds and bushes. Days went by, and he caught only a few mediocre crickets that did not measure up to the magistrate’s standards. His worries increased as the deadline drew closer and closer.

The day for cricket delivery finally came, but Cheng Ming could not produce any good ones. He was clubbed a hundred times on the buttocks, a form of corporal punishment in the ancient Chinese judicial system. When he was released the next day, he could barely walk. The wound on his buttocks confined him to bed for days and further delayed his search for crickets. He thought of committing suicide again. His wife did not know what to do.

Then they heard about a hunchbacked for tune-teller who was visiting the village. Cheng Ming’s wife went to see him. The for tune-teller gave her a piece of paper with a picture on it. It was a pavilion with a jiashan (rock garden) behind it. On the bushes by the jiashan sat a fat male cricket. Beside it, however, lurked a large toad, ready to catch the insect with its long, elastic tongue. When the wife got home, she showed the paper to her husband. Cheng Ming sprang up and jumped to the floor, forgetting the pain in his buttocks.

“This is the fortune-teller’s hint at the loca tion where I can find a perfect cricket to accomplish my task!” he exclaimed.

“But we don’t have a pavilion in our village,” his wife reminded him.

“Well, take a closer look and think. Doesn’t the temple on the east side of our village have a rock gar den? That must be it.” So saying, Cheng Ming limped to the temple with the support of a make shift crutch. Sure enough, he saw the cricket, and the toad squatting nearby in the rock garden at the back of the temple. He caught the big, black male cricket just before the toad got hold of it. Back home, he carefully placed the cricket in a jar he had prepared for it and stowed the jar away in a safe place. “Everything will be over tomorrow,” he gave a sigh of relief and went to tell his best friends in the village the good news.

Cheng Ming’s nine-year-old son was very curious. Seeing his father was gone, he took the jar and wanted to have a peek at the cricket. He was re moving the lid carefully, when the big cricket jumped out and hopped away. Panicked, the boy tried to catch the fleeing cricket with his hands, but in a flurry, he accidentally squashed the insect when he finally got hold of it.

“Good heavens! What’re you going to say to your father when he comes back?” the mother said in distress and dread. With out a word, the boy went out of the room, tears in his eyes.

Cheng Ming became distraught when he saw the dead cricket. He could n’t believe that all his hopes had been dashed in a second. He looked around for his son, vowing to teach the little scoundrel a good les son. He searched inside and outside the house, only to locate him in a well at the corner of the courtyard. When he fished him out, the boy was already dead. The father’s fury instantly gave way to sorrow. The grieved parents laid their son on the kang and lamented over his body the entire night.

As Cheng Ming was dressing his son for burial the next morning, he felt the body still warm. Immediately he put the boy back on the kang, hoping that he would revive. Gradually the boy came back to life, but to his par ents’ dismay, he was unconscious, as if he were in a trance.

The parents grieved again for the loss of their son. Suddenly they heard a cricket chirping. The couple traced the sound to a small cricket on the door step. The appearance of the cricket, however, dashed their hopes, for it was very small. “Well, it’s better than nothing,” Cheng Ming thought. He was about to catch it, when it jumped nimbly on to a wall, cheeping at him. He tiptoed toward it, but it showed no sign of fleeing. Instead, when Cheng Ming came a few steps closer, the little cricket jumped onto his chest.

Though small, the cricket looked smart and energetic. Cheng Ming planned to take it to the village head. Un cer tain of its ca pa bil i ties, Cheng Ming could not go to sleep. He wanted to put the lit tle cricket to the test before send ing it to the village head.

The next morning, Cheng Ming went to a young man from a rich family in his neighborhood, having heard him boast ing about an “in vin ci ble” cricket that he wanted to sell for a high price.When

the young man showed his cricket, Cheng Ming hesitated, be cause his little cricket seemed no match for this gigantic insect. To fight this monster would be to condemn his dwarf to death.

“There’s no way my little cricket could sur vive a confrontation with your big guy,” Cheng Ming said to the young man, hold ing his jar tight. The young man goaded and taunted him. At last, Cheng Ming decided to take a risk. “Well, it won’t hurt to give a try. If the lit tle cricket is a good-for-noth ing, what’s the use of keep ing it any way?” he thought.

When they put the two crickets to gether in a jar, Cheng Ming’s small in sect seemed trans fixed. No mat ter how the young man prodded it to fight, it sim ply would not budge. The young man burst into a guf faw, to the great em bar rass ment of Cheng Ming. As the young man spurred the lit tle cricket on, it sud denly seemed to have run out of pa tience. With great wrath, it charged the gi ant op po nent head on. The sud den burst of ac tion stunned both the young man and Cheng Ming. Be fore the lit tle crea ture planted its small but sharp teeth into the neck of the big cricket, the ter ri fied young man fished the big in sect out of the jar just in time and called off the con test. The lit tle cricket chirped vic -toriously, and Cheng Ming felt ex ceed ingly happy and proud.

Cheng Ming and the young man were com ment ing on the lit tle cricket’s ex traor di nary prow ess, when a big rooster rushed over to peck at the lit tle cricket in the jar. The little cricket hopped out of the jar in time to dodge the at tack. The rooster then went for it a sec ond time, but sud denly be gan to shake its head vi o lently, scream ing in ag ony. This sud den turn of events baf fled Cheng Ming and the onlook ers. When they took a closer look, they could not be lieve their eyes: The lit tle cricket was gnaw ing on the rooster’s bloody comb. The story of a cricket fight ing a rooster soon spread through -out the vil lage and beyond.

The next day, Cheng Ming, along with the vil lage head, sent the cricket to the mag is trate and asked for a test fight with his mas ter cricket, but the mag is trate re fused on the ground that Cheng Ming’s cricket was too small.

“I don’t think you have heard its rooster-fight ing story,” Cheng Ming pro claimed with great pride. “You can’t judge it only by its ap pear ance.”

“Non sense, how can a cricket fight a rooster?” asked the mag is trate. He or dered a big rooster brought to his office, think ing that Cheng Ming would quit tell ing his tall tales when his cricket be -came the bird’s snack. The bat tle be tween the lit tle cricket and the rooster ended with the same re sult: The rooster sped away in great pain, the lit tle cricket chirping tri um phantly on its heels.

The mag is trate was first as ton ished and then pleased, think ing that he fi nally had the very in sect that could win him the em peror’s fa vor. He had a golden cage man u factured for the little cricket. Plac ing it cau tiously in the cage, he took it to the em peror.

The em peror pit ted the lit tle cricket against all his vet eran com bat ant crick ets, and it de feated them one by one. What amused the em peror most was that the little creature could even dance to the tune of his court mu sic! Ex tremely pleased with the magic little crea ture, the em peror re warded the mag is trate lib er ally and pro moted him to a higher po sition. The mag is trate, now a gov er nor, in turn exempted Cheng Ming from his lev ies in cash as well as crick ets.

A year later, Cheng Ming’s son came out of his stu por. He sat up and rubbed his eyes, to the great surprise and joy of his par ents. The first words he ut tered to his ju bilant par ents were, “I’m so tired and hungry.” Af ter a hot meal, he told them, “I dreamed that I had be come a cricket, and I fought a lot of other crick ets. It was such fun! You know what? The great est fun I had was my fight with a couple of roost ers!”

 

REACTION

 

You don’t really understand human nature unless you know why a child on a merry-go-round will wave at his parents every time around – and why his parents will always wave back. Making the decision to have a child is momentous.  It is to decide forever to have your heart go walking around outside your body. Always kiss your children goodnight – even if they’re already asleep. When you have brought up kids, there are memories you store directly in your tear ducts. It would seem that something which means poverty, disorder and violence every single day should be avoided entirely, but the desire to beget children is a natural urge. To bring up a child in the way he should go, travel that way yourself once in a while. Your children need your presence more than your presents.It’s not only children who grow.  Parents do too.  As much as we watch to see what our children do with their lives, they are watching us to see what we do with ours.  I can’t tell my children to reach for the sun.  All I can do is reach for it, myself. Don’t worry that children never listen to you; worry that they are always watching you. The trouble with learning to parent on the job is that your child is the teacher. If you have never been hated by your child you have never been a parent. The bottomline is that the child and the parents must love one another.
 



 

THE STORY OF THE AGED MOTHER A Japanese Folktale by MATSUO BASHO

Long, long ago there lived at the foot of the mountain a poor farmer and his aged, widowed mother. They owned a bit of land which supplied them with food, and their humble were peaceful andhappy.Shining was governed by a despotic leader who though a warrior, had a great and cowardly shrinking from anything suggestive of failing health and strength. This caused him to send out a cruel proclamation. The entire province was given strict orders to immediately put to death all aged people. Those were barbarous days, and the custom of abandoning old people to die was not common. The poor farmer loved his aged mother with tender reverence, and the order filled his heart with sorrow. But no one ever thought a second time about obeying the mandate of the governor, so with many deep hopeless sighs, the youth prepared for what at that time was considered the kindest mode of death. Just at sundown, when his day’s work was ended, he took a quantity of unwhitened rice which is principal food for poor, cooked and dried it, and tying it in a square cloth, swung and bundle around his neck along with a gourd filled with cool, sweet water. Then he lifted his helpless old mother to his back and stated on his painful journey up the mountain. The road was long and steep; then arrowed road was crossed and recrossed by many paths made by the hunters and woodcutters. In some place, they mingled in a confused puzzled, but he gave no heed. One path or another, it mattered not. On he went, climbing blindly upward – ever upward towards the high bare summit of what is known as Obatsuyama, the mountain of the “abandoning of aged”. The eyes of the old mother were not so dim but that they noted the reckless hastening from  one path to another, and her loving heart grew anxious. Her son did not know the mountain’s many paths and his return might be one of danger, so she stretched forth her hand and snapping the twigs from brushes as they passed, she quietly dropped a handful every few steps of the way so that they climbed, the narrow path behind them was dotted at frequently intervals with tiny piles of twigs. At last the summit was reached. Weary and heart sick, the youth gently released his burden and silently prepared a place of comfort as his last duty to the loved one. Gathering fallen pine needle, he made a soft cushion and tenderly lifting his old mother therein, he wrapped her padded coat more closely about the stooping shoulders and with tearful eyes and an aching heart said farewell. The trembling mother’s voice was full of unselfish love as she gave her last injunction. “Let notthine eyes be blinded, my son. A” She said. “The mountain road is full of dangers. LOOK carefully and follow the path which holds the piles of twigs. They will guide you to the familiar way fartherdown”. The son’s surprised eyes looked back over the path, then at the poor old, shriveled hands all scratched and soiled by their work of love. His heart smote him and bowing to the grounds, he cried aloud: “oh, Honorable mother, thy kindness thrusts my heart! I will not leave thee. Together we will follow the path of twigs, and together we will die!”Once more he shouldered his burden (how light it seemed no) and hastened down the path,through the shadows and the moonlight, to the little hut in the valley. Beneath the kitchen floor was a walled closet for food, which was covered and hidden from view. There the son his mother,supplying her with everything needful and continually watching and fearing. Time passed, and he was beginning to feel safe when again the governor sent forth heralds bearing an unreasonable order, seemingly as a boast of his power. His demand was that his subject should present him with a rope of ashes. The entire province trembled with dread. The order must be obeyed yet who in all shining could make a rope of ashes?One night, in great distress, the son whispered the news to his hidden mother. “Wait!” she said. “Iwill think. I will think” On the second day she told him what to do. “Make rope twisted straw,” she said. “Then stretch it upon a row of flat stones and burn it there on the windless night. ” He called the people together and did as she said and when the blaze and died, behold upon the stones with every twist and fiber showing perfectly. Lay a rope of whithead ashes. The governor was pleased at the wit of the youth and praised greatly, but he demanded to know where he had obtained his wisdom. “Alas! Alas!” cried the farmer, “the truth must be told!” andwith deep bows he related his story. The governor listened and then meditated in silence. Finally he lifted his head. “Shining needs more than strength of youth, ” he said gravely. “Ah, that I should have forgotten the well-know saying, “with the crown of snow, there cometh a wisdom!” That very hour the cruel law was abolished, and custom drifted into as far a past that only legends remain.
REACTION

Our elders have gone through a lot in their lifetime.

I think it is important to respect our elders because they have experienced life and gone through a lot more than we have. I think history has shown that we are a successful, rich country. I don’t think we would have the freedom and the respect from other countries if it weren’t for our elders and their sacrifice to get us where we are today.

I respect my grandfather because he was captured and taken to a concentration camp during World War II. My grandfather escaped from a camp, ran into the woods and went into hiding for a year. My grandfather is one of the lucky Jews that survived because he had the will to live. Why shouldn’t he be respected?

I respect my parents because they are the ones that brought me in this world and have taken care of me until I was able to take care of myself. I personally have a lot of respect for my parents because they did a lot for me over the years. I wouldn’t have the education without them. They got me where I am today and I am sure it wasn’t easy for them. I believe they deserve thanks for everything they have done for me and thus deserve my respect.

The idea of the importance of respecting our elders raised many questions in my mind.

Do most even know what respect is?

Wikipedia defines respect as taking into consideration the views and desires of others and incorporating it into your decisions and being truthful to people.

Why shouldn’t we respect anyone?

I think everyone should be respected unless given a reason not to be. When you meet someone for the first time are you disrespectful? No. Why should you be? I think everyone deserves a chance and once you get to know the person you can decide based on your own values whether or not you should respect them.

I have a lot of younger cousins that respect me because I am older and know more about life than they do.

I don’t think elders should be singled out and immediately respected because they are older. Why shouldn’t respect go both ways? I think my friends respect me because I respect them.

I think it is important to understand what respect is and understand what your elders have gone through to get where we are today. I think everyone deserves the same amount of respect unless given a reason to be disrespected.

 

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